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Showing posts with the label narrative

Do people want to be advertised to?

So the lots of people (especially on the Internet) got mad at a video advertisement recently. Fair enough; I watched the ad in question and it's cringe-inducing, clearly the product of too many marketing meetings and too many focus groups from not the right demographics. But almost immediately after seeing the first think-piece headlines, a more troubling question came to my mind. See, the narrative was overwhelmingly "the company really dropped the ball with this ad," "the company totally misunderstood the current political climate with this ad"... generally this ad was disappointing . But unspoken seemed to be an  agreement that there is a hypothetical "good advertisement." The question, then, that came to mind: Do people actually see advertising as a worthwhile element of their lives? Apparently, yes; they jump at the chance to extol the virtues of "radvertising" but are just as quick to shame "badvertising." From the Gawke...

Mascot Ragnarok, pt. 3 -- This is why

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Now that we've seen why Western Washington University decided (and was justified, in my view) to cancel classes for Tuesday, 24 November 2015, in response to racist and threatening comments on the anonymous social media shithole application Yik Yak, let's look at the reaction from the students and the community. Was their response justified? I don't think so. This post is a partial follow-up to: On the rigged-world fallacy and pullback error , Rhetorical imperialism I. Let's get this out of the way first: of the two "camps," so to speak, of students who disagreed with President Bruce Shepard's decision to suspend classes, the ones who thought classes shouldn't have been suspended have a very weak position. Now, there wasn't a lot of publicity of the various posts made, so I can understand why—at the time—some people might have thought the class cancellation was the wrong call. I hope that since those posts have come to light, those peop...

Sexual assault in narrative fiction: themes really do matter, you guys

Can't remember how I came across this post— We Are Not Things: Mad Max versus Game of Thrones —but I think it's worth talking about at some length, if not a full post length. Two portrayals of a world where women hold dubious power and are seen as “things.” One of these is roundly criticized for it. One of them is roundly celebrated for it. Game of Thrones catches hell for its portrayal of women and this subject. Mad Max is wreathed in a garland of bike chains and hubcabs for it. What, then, is the difference? Here we go. I'll just come out and say that I think the article misunderstands how the themes of Mad Max and Game of Thrones are different: Max Max is about liberation , while Game of Thrones is about the nature and abuse of power. The article focuses on frequency and point-of-view as two points of contrast between MM and GoT . I'm not sure of the author believes that sexual assault should never be depicted, or if depicted, only once? Frequ...

Popular music

I.   My friend Jon Bash is a very talented musician/composer , so it's safe to assume that he thinks very seriously about music in general. Recently he posted this article ( "How Popular Music's Lyrics Perpetuate American Idiocy" ) from a site called The Anti-Media, about a study examining the "reading level" of Billboard Top 40 songs. Stories about the study were passed around other places too, including The Guardian ( "Hip hop ain't top: new study reveals reading levels behind music lyrics" ) and The Onion 's A.V. Club ( "Popular songs are dumb and only getting dumber, says dumb study" ), with varying levels of skepticism and/or snark. Before getting in to any substantive discussion, however, I will first make fun of The Anti-Media for writing a really dumb article. Claire Bernish (Twitter handle: @ subversive_pen — Twitter bio: a Julian Assange quote) opens her turd-de-force with the following incredible paragraph-and...